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Inspiration : Rudolf Nureyev

March 9, 2017

“An escape in the line of the spy novels of the Cold War” René Sirvin.

Between KGA and CIA, truths or fictions, the history of Nureyev overflows with incredible events.  His youth itself resembles a film. Nureyev, the fourth child and only son of Hamet and Farida Nureyev, was born on 17 March 1938 on the Trans-Siberian Lake Baikal.

Great performer, Nureyev also defrays the chronicle by his sexual appetite. Homosexual, not only did he become a political icon but also an erotic one. “In the middle of the Cold War and the expansion of mass capitalist culture, he is the right person at the right time,” says Christophe Fiat. “He is emblematic of sexual liberation in the 1960s. Like Jackie Kennedy, but his lovers are men, his escort boys. “

While Kirov Ballet was preparing to go on a tour to Paris and London, Nureyev’s rebellious character and non-conformist attitude made him an unlikely candidate for a trip to the West, which was to be of crucial importance to the Soviet government’s ambitions to portray their cultural supremacy.
Nureyev was seen as breaking the rules about mingling with foreigners, which alarmed the Kirov’s management and the KGB agents observing him. The KGB wanted to send him back to the Soviet Union. As a consequence, Sergeyev (Kirov’s artistic director) told him he would have to return to Moscow for “a special performance” in the Kremlin, which, of course, was just a pretext to send him back in the USSR and punish him for his attitude in Paris. As Kirov refused, Sergeyed told him his mother had fallen severely ill and that he needed to visit her in emergency. Nureyev refused again, believing that on return to the USSR he was likely to be imprisoned.

While Nureyev (also spelt Noureev) was partying in France, he met up with two of his close friends including the dancer Pierre Lacoste and Clara Saint, who was engaged to the son of the French Minister of Culture Andre Malraux. Pierre Lacotte, who was at the airport with him, says: “He threw himself on me and said,” Someone’s just spoken to me, it’s terrible, it’s over…I’m being sent back to the Soviet Union, and I will never dance again. I’m going to end up in Siberia.” However, also monitored from the corner of the eye by KGB agents, Lacotte wrote the name and telephone number of C.Saint on a piece of paper that he managed to hand it stealthily to a stranger. Clara Saint eventually came, and spotted Rudolf sitting at the aiport’s bar. The two agents of the KGB intercepted her, but, playing with her charm, she managed to coax them by making them understand that she came to bid farewell to her friend.

Clara and Nureyev quickly exchanged a few words in English:
“I want to stay here. Please help me!”
She worried :
“Are you sure ?”
“Yes, I’m sure.”
On arriving at Le Bourget, Clara had spotted an antenna of the French police on the upper floor, she thus ran to call the French police.
“There are downstairs two KGB agents who want to return a Kirov dancer to his country by force, when he does not want it.”
Nonetheless, Noureev had to come by himself to the police. As a consequence, C.Saint leant towards her friend and whispered (in order not to be heard by the guards) :
“Look at the two policemen leaning on the bar. You go to them and tell them you want to stay here.”
Rudolf leapt to his feet and fled at full speed towards the two policemen. Still running, Rudolf shouted to the two Frenchmen “I want to stay in France! I want to stay in France!”

Nureyev trembled with all his members. He saw the two guards of the KGB rushing on to him and trying to seize him. In Russian, they cried that he was being kidnapped, but the two French policemen did not let themselves be impressed.
They dragged the star of the Kirov into a room to ask him to think carefully about his decision. Noureev hesitated for 20 minutes. If he pushed the door through which he entered, he would be recovered by the two Soviets with no other hope of getting out of Russia.
If he pushed the other door behind which the two Frenchmen were waiting for him, it was freedom, but also the loss forever of his mother, his country, his youth.
He had a few minutes to choose between two futures, two destinies. The rest of the story is known.

R. Nurevey chose liberty and obtained the political asylum. However, the Sovet Union sentenced him in absentia to seven years in prison for high treason. Nevertheless, Rudolf was free to dance around the world.

Dance career :

From 1962, Rudolf Nureyev danced for several years at the Royal Ballet, Covent Garden, London. Star of the Royal Ballet, Margot Fonteyn  (42 years old) would become his most beautiful partner. Both would form the most famous pair of the universe of ballet.

Margot Fonteyn and Rudolf Nureyev danced for the first time together “Giselle” on February 21, 1962. When the curtain fell that night, the audience was so amazed that there was a silence of a few moments before the applause, followed by 23 encores.

In 1964 Rudolf Nureyev created his first Swan-Lake choreography for the State Opera of Vienna. In this ballet he interpreted the role of the prince alongside Margot Fonteyn who interpreted Odette and Odile. At the end of a performance, there were 89 curtain levies, a unique event in the history of ballet. It was only in 1982 that Rudolf Nureyev became an Austrian citizen and was appointed an honorary member of the Vienna Opera.
As a matter of fact, Rudolf Nureyev performed on the stage of all major international companies. The star received $ 7.9 million a year, the biggest fee a dancer has ever received.

In the 1980s, Rudolf Nureyev danced regularly at the Paris Opera. He was appointed director of the ballet of the Opéra National de Paris on 1 September 1983 by Jack Lang, then Minister of Culture. Rudolf Nureyev held that position until 1989.

After many requests, he finally obtained from Gorbachev, at the end of 1989, a forty-eight-hour visa in Leningrad to see his mother. He returned to St. Petersburg for the first time, quoting Ossip Mandelstam’s verse: “Return to my city known to tears …”, to visit his dying mother.

Disease and death :

In 1984, when Rudolf Nureyev lost a lot of weight and suffered persistent fever, he underwent medical examinations and discovered that he had HIV (AIDS). For many years he denied the fact. When, by the year 1990, he became obviously ill, he courageously fought his disease without ceasing to dance. He tried several experimental treatments that did not slow the inevitable degeneration of his body. He appeared emaciated and had more and more difficulty moving. He had to, eventually, face reality. At that time, his courage aroused the admiration of many of his detractors. His physical decay made him suffer, but he continued to fight by showing himself in public. During his last public appearance on October 8, 1992, for the first of his production of La Bayadère at the Palais Garnier after Marius Petipa, the audience gave him a standing ovation.

Rudolf Nureyev died in a clinic in Levallois-Perret three months later, on 6 January 1993, at the age of 54. The presenter of the French television news channel, Christine Ockrent, made the announcement:

“He had the burning look as well as the movements of a beast. Powerful and shuddering, the Tatar prince, the lord of the dance, who fled the communists, Rudolf Nureyev died in Paris. He was only 54 years old.”

During the same show, Pierre Bergé, director of the Opéra National de Paris at the time, declared:

“It’s great to have 19 out of 20. It’s very rare to have 20 out of 20. But to have 21 out of 20 is still much rarer. And that was the case of Nureyev. Rudolf Nureyev is the lord of dance, an unclassifiable dancer”

Tributes and Distinctions :
– Rudolf Nureyev was made a Knight of the Legion of Honor in 1988.
– On October 8, 1992, the then Minister of Culture, Jack Lang, awarded him the highest cultural award, making him Commander of the Arts and Letters.
– At the Opéra National de Paris, a “Tribute to Rudolf Nureyev” dance evening takes place every ten years. They took place on 20 January 2003 and 6 March 2013.

Video “The Nutcracker”

Video (rare solo) :



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